Music on CD or Vinyl : All Folk Music on CD or Vinyl


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by WEA CORP
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Reissue - Originally released in 1953 as 3 volumes of 2 LPs each, this historic collection is now available as 3 separately packaged boxes containing 6 remastered CDs. Rare photos, interviews and essays are also included. quot;The most influential and magical document of the American urban folk revival.quot; Billboard.
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by PID
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$19.99
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by Marc Gunn
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The Irish diaspora to America brought the happy gift of Irish music, informing and influencing folk, ragtime, blues and even jazz. In this unique collection of original and traditional music, Celtic American musician Marc Gunn leafs through music known, remembered and new to find common themes, melodies and memories. The Bridge is just that - a connection not only between Irish and American music, but also between Marc Gunn;s previous work primarily in Celtic music and his roots in folk, and newer influences of blues and jazz for this New Orleans-based musician. Above all, the Bridge expresses Marc Gunn;s deep love for the music of both his home and where his heart resides. Produced by Rich Brotherton. Marc Gunn, autoharp and vocals. Jamie Haeuser, bodhran and background vocals. Samantha Gillogly, fiddle. Bethany McLyr, flute. Rich Brotherton, Guitar and octave mandolin. Cover art by Marc Gunn inspired by Claude Monet. Graphic design by Davis Creative.
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by Various Artists
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5-CD set + 120 page LP size hardcover book. The recording trip made by Victor Records to Bristol, Tennessee in July-August 1927 was a defining moment in country music. Producer Ralph Peer found two acts that acquired national and international fame: Jimmie Rodgers and the Carter Family. But more than a hundred other recordings were made at the Bristol sessions of 1927 and ;28. There were ballad singers, street evangelists, string bands, gospel quartets, harmonica virtuosos, Holiness preachers, blues guitarists and rural storytellers. A snapshot of rural American music was caught in an era of rapid change: pictures of a past almost beyond recall, but preserved for ever in these magnificent recordings. The five CDs in this set gather every surviving recording from these sessions, including alternative takes. The accompanying 120- page, LP-sized hardcover book contains newly researched essays on the background to the sessions and on the individual artists, with many rare and unpublished photographs. Also included are complete song lyrics and a detailed discography, illustrated with reproductions of the original recording sheets.
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$20.77
$14.99
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Prior to the early Sixties, folk and pop musicians inhabited largely different worlds. There were folk records that had become crossover pop hits, but in essence there was little or no common ground in terms of instrumentation or ideologies. But in the wake of the British beat/R boom (or, if you were in America, the British Invasion) and the emergence of Bob Dylan, such barriers were broken down for good. With British acts making music that, for the first time in nascent pop history, matched the quality of their American counterparts, suddenly everything was grist to the mill and musical cross-pollination was almost de rigueur. Dylan and The Beatles impacted heavily on each other, while The Byrds were pitched midway between the two - although their combination of jingle-jangle guitars and world-weary harmonies was heavily indebted to folk-pop pioneers The Searchers. By 1965, the folk-pop nexus was at it;s glorious peak. That was particularly true in Britain, which saw many variations on the basic pop-meets-folk theme (in America, folk-rock had a relatively homogenised sound). Across three CDs and 79 tracks, Gathered From Coincidence examines every aspect of the British mid-Sixties folk-pop boom, incorporating Dylan-inspired singer/songwriters with a commercial pop sensibility, the more introverted beat groups, Marianne Faithfull-inspired female chanteuses and R hoodlums in newly-pensive mode, all bound together by the 6 or 12-string thrum or Rickenbacker clang. Ranging from massive chart hits to records that barely sold in double figures, Gathered From Coincidence includes the true believers, the musical dilettantes, the young wannabes, the cash-in merchants, the old guard looking to resuscitate a fading career and, of course, the earnest protest singers - and, just for good measure, we;ve also rounded up a handful of folksploitation discs from those positioning themselves for roughly three minutes as anti-protest protesters. With a significant number of tracks making their CD debut and even a couple of previously unissued cuts, Gathered From Coincidence is a fascinating, even revelatory overview of a still largely-neglected stitch in pop;s unending tapestry: that curiously downbeat two-year period between the dying embers of the beat boom;s irresistible exuberance and the arrival of psychedelia;s swirling multi-coloured hues.
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by OLD HAT
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Two dozen swingin sides of blues, jazz, stomps, shuffles and rags that show why the fiddle became known as the quot;devils boxquot;! Everything from Mississippi string bands to Beale Street blues to South Side jazz is here; includes Ruckus Juice and Chittlin Memphis Jug Band; Lazy Lazy River Mississippi Sheiks; Moanin and Groanin Blues Peg Leg Howell & His Gang; If You Cant Make It Easy, Sweet Mama Dixieland Jug Blowers; Get Up off That Jazzophone Bubbling-Over Five; Good Old Turnip Greens Bo Chatman; Throw Me in the Alley Peetie Wheatstraw & His Blue Blowers, and more.
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by Bubba Chandler
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$14.98
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